Jumat, 30 April 2010

[T881.Ebook] Download Ebook The Beatles Memorabilia Price Guide, by Jeff Augsburger, Marty Eck, Rick Rann

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The Beatles Memorabilia Price Guide, by Jeff Augsburger, Marty Eck, Rick Rann

This book contains details and illustrations of every piece of Beatle memorabilia imaginable, including jewellery, pin-back buttons, books, magazines, movie items, trading cards, concert tickets and programmes - virtually every obtainable Beatles item made between 1963 and 1970. The latest values and prices are all listed, and there are details on reproductions, counterfeits and Apple memorabilia.

  • Sales Rank: #2238752 in Books
  • Brand: Brand: Wallace-Homestead Book Co
  • Published on: 1993-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.25" w x .75" l,
  • Binding: Paperback
  • 248 pages
Features
  • Used Book in Good Condition

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Senin, 19 April 2010

[J146.Ebook] Download Harry Potter und der Stein der Weisen, by J. K. Rowling

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Harry Potter und der Stein der Weisen, by J. K. Rowling

  • Sales Rank: #47155 in Books
  • Brand: Brand: Carlsen Verlag Gmbtl
  • Published on: 1999-12-01
  • Original language: German
  • Number of items: 1
  • Dimensions: 8.30" h x 1.20" w x 5.40" l,
  • Binding: Hardcover
  • 335 pages
Features
  • Used Book in Good Condition

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Kamis, 15 April 2010

[I119.Ebook] Download Ebook Clinical Anesthesia Procedures of the Massachusetts General Hospital, by Richard M. Pino

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Clinical Anesthesia Procedures of the Massachusetts General Hospital, by Richard M. Pino

Apply today’s best practices in anesthesiology! Relied on for over 30 years by practicing anesthesiologists and residents as well as nurse anesthetists, Clinical Anesthesia Procedures of the Massachusetts General Hospital offers you current, comprehensive, concise, consistent, and clinically relevant guidelines on all facets of anesthesia, perioperative care, critical care, and pain management from a host of seasoned experts.

  • Sales Rank: #687610 in eBooks
  • Published on: 2015-08-10
  • Released on: 2015-08-10
  • Format: Kindle eBook

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Selasa, 13 April 2010

[U492.Ebook] Download PDF Handmade Music Factory: The Ultimate Guide to Making Foot-Stompin Good Instruments, by Mike Orr

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Handmade Music Factory: The Ultimate Guide to Making Foot-Stompin Good Instruments, by Mike Orr

Learn how to make eight of the most unique and imaginative instruments found anywhere - from a one-string guitar made from a soup can, to a hubcap banjo. Author Mike Orr takes you inside the growing trend of handmade music and shows you how with a little creativity and some salvaged parts, you can create your own arsenal of instruments that look good, sound great, and deliver some foot stompin' fun!

  • Sales Rank: #311195 in Books
  • Published on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .58" w x 8.53" l, 1.32 pounds
  • Binding: Paperback
  • 160 pages

Review
I was once considered to be a virtuoso of the 'Gut Bucket' over the years so it was with great anticipation that wanted to read and review this book. Mike Orr has brought back old time musical instruments in this classic. You can almost hear these great improvised instruments being played on the streets of New Orleans. Orr calls the instrument a One-String Washtub Bass but the principal is the same, it emanates a true resonating bass sound and he shows you how to build one.. Orr and his collaborators continue with old time instruments with a 'Soup Can Diddley Bow, a Stomp Box and Washboard. In later chapters Orr details four guitars of varying types and then show you how to amplify them. This book is a blast! Not only are there super improvised instruments but Orr has included a great compendium of musicians that played these fabulous musical innovations. Oh, check out the Hub Cap Banjo on page 127.

Handmade Music Clubhouse member Mike Orr has written 'Handmade Music Factory (the ultimate guide to making foot-stompin' good instruments)', a comprehensive how-to book on creating home made instruments. Published by Fox Chapel Publishing, he takes the reader through the step by step processes of building 7 instruments from materials found around most households. Beautifully illustrated with plenty of progress photos, Orr teaches us how to build a: 1 string washtub bass soup can Diddley bow electrified stomp box and washboard 3 string cigar box slide guitar cookie tin guitar fretted 4 string tenor guitar ironing board lap steel guitar Mike also covers basic electronics explaining how to simply electrify your instrument. He even shows us how to make an amplifier from an old cassette player! There are a lot of sidebar snippets describing history, shop tips & tricks and playing advice, as well as bios of several of the high profile performers playing handmade instruments. There are a lot of other instrument photos in the gallery section. An enormous amount of inspiration for any level builder is crammed into these 160 pages. The forward is written by members of the Robert Johnson Blues Foundation, an organization founded by descendants of the legendary bluesman. They are dedicated to keeping his spirit and the music he inspired alive. These instruments are a tribute to the days when factory instruments weren't an option for poor musicians who played what they built from found parts. This book is a must read for anyone considering building their own instrument, as well as experienced builders who want to learn a few new tricks. Orr lists all the materials and tools needed and guides you every step of the way to creating a simple, magical instrument. He even provides full size templates of many of the components you'll build. Your copy will have dog eared pages and notes written in the margins as you go back to Mike's plan of attack as you create your own one of a kind instrument. Handmade Music Factory embraces all the great things here at the Handmade Music Clubhouse. Like many members here, Mike Orr is a creative and talented inventor who loves to share his creations and knowledge to help people to build their own. Bravo Mike! Great job and thanks Fox Chapel Publishing for helping spread the word about what goes on at the Handmade Music Clubhouse every day.

A detailed guide for those interested in building string instruments from recycled materials. The book includes highly detailed instructions and many photographs of beautifully completed projects by the author, Mike Orr, and by many other enthusiasts. Step-by-step instructions are clear, detailed and attractive. Depending on how elegant you want the final result to be, these projects are both simple and inexpensive ways to get playing. Six years ago, when Mike Orr made his first cigar box guitar, he wasn't thinking about beginning a second career. He came across cigar box guitars while surfing the Internet one day, and decided to make one as a Christmas gift for his son. He studied the design and made it his own. Then, he made more and brought them to an annual camp-out where they were a hit. Gradually, he began building a wide range of other string instruments, from a soup can diddley bow to an ironing board lap steel guitar, and started selling them on eBay and at music festivals on the weekends. Even professional musicians have come to him for these homemade, unique instruments. Now, with his day job as a flooring installer slowing down with the economy, Orr hopes to make and sell even more guitars and kits. Plus, he's come out with the book Handmade Music Factory: the Ultimate Guide to Making Foot-Stomping-Good Instruments, a detailed guide for those interested in building string instruments from recycled materials. "I hope everyone has fun trying to build something," says Orr, 42, explaining his motivation for writing the book. "That's really what it's all about. There are a lot of plans out there, and it's great to get complicated with it, but cigar box guitars are supposed to be a simple thing." He recommends beginners start with an easy project, like a three-string cigar box guitar. "It has no frets," he says. "That's really how it began-the original cigar box guitars didn't have frets. They just had a stick and were built more like a lap steel guitar, where you play it with a slide." He recommends a double shot glass for the slide, or you can fashion a slide from a bottleneck or piece of pipe. The history of cigar box guitars dates back to the roots of the blues, when African Americans created their own ad hoc instruments. For example, one story, recounted by Robert Johnson's childhood friends, tells how a young Johnson took three strings of baling wire and nailed them to the side of his sharecropping shack, making a diddley bow. Slide-guitarist Blind Willie Johnson began on a one-string cigar box guitar. Here are some tips from Mike Orr's Handmade Music Factory. The length of the box determines the fretboard length. A shorter box means a longer fretboard. You can find supplies just about anywhere-home improvement stores, eBay, yard sales, even the dump. For a resonator, you can use cigar boxes of any shape and wood, cookie tins, oil or gas cans, hubcaps, or whatever else comes to mind. For the neck, look for straight one-by-two-inch pieces of hardwood (cherry, oak, maple, etc.) at a lumberyard, or ask a cabinet shop about scraps. Bridges can be made of hardwood or Corian countertop scraps. You can use a block of wood under the bolt or rod to more easily achieve the correct string height. Then, you won't have to deal with string spacing or cutting grooves for the strings. You can use either new or used tuning pegs. You will need left side pegs for right-handed guitars, and right side pegs for left-handed guitars. Grommets are a great way to hide tattered edges, especially on cigar boxes that are covered with paper. If you end up with a box that doesn't sound that good acoustically, you can electrify it for a couple dollars and make it sound great

If you want really to make your own music, this book is for you. Although there are a few guides devoted to the construction of instruments with found items, this title is much more detailed. Professional carpenter Orr eases readers in with the construction of a washtub bass, with clear, step-by-step illustrations. The more sophisticated stringed instruments require a lot more tool use and special materials; unfortunately, the resources list does not provide adequate coverage. Still, solid instructions and templates make this attractive book quite usable. Recommended for high school and public libraries.

Have you ever wanted to play a music instrument? How about make one? "Handmade Music Factory: The Ultimate Guide to Making Foot-Stompin'-Good Instruments" gives you all the knowledge you need to go out and build your own stringed instruments from scratch using household and junkyard materials. Build a one stringed washtub bass, a cookie tin guitar, or even a lap steel from an ironing board. Packed with enough projects to put together an old time string band, it's a lot more fun than that weekend birdhouse you promised to build for your family.

What a treat! What a wealth of home made information to inspire the budding musician who also loves to work with his/her hands! Handmade Music Factory: The Ultimate Guide to Making Foot~Stompin'~Good Instruments by Mike Orr gives instructions for making real, usable instruments out of cookie tins, making an electrified stomp box and washboard, one string washtub bass, an ironing board lap steel guitar and a soup can diddley bow. What I really loved about this book was the detailed pictorial instructions for making instruments using tins, cans and boxes and the chapters on electrifying the instruments. You will find detailed pictorial instructions for the electrical wiring. One "electrifying" picture shows the usage of an empty Altoid tin to encase electrical parts. You can even make a home made amplifier out of an old radio. The Gallery holds page after page of inspiring creations, including a guitar made from an old license plate, a hubcap banjo, and other lovely boxes (I could have done well without the toilet seat guitars, but to each his own). My budding musician flipped for this book found in our local library. Click here for more information and the opportunity to see inside. What a treat!

As a maker of cigar box guitars, Handmade Music Factory is a book I've been waiting for for a long time. It's written by Mike Orr, a professional carpenter and the owner of Built2Last Guitars. This beautifully produced, full-color book shows you how to make your own musical instruments. Projects include a washtub bass, a soup can diddley bow, an electrified stomp box and washboard, a variety of cigar box guitars, an ironing board lap steel guitar, and an upcycled tape deck amplifier. Besides including these detailed step-by-step instructions, Orr's book includes profiles of cigar box guitar builders and a large photo gallery of beautiful instruments made by cigar box guitar aficionados. One of my favorites is a banjo made from the hubcap of a Volkswagen. If you're interested in getting started in building your own musical instruments, or you have built them but would like to learn additional tips and tricks and find out how others have created their own musical instruments, this is a great book.

This book is different from the usual fare reviewed here, but its premise is instantly intriguing. Handmade Music Factory offers step-by-step directions for making a wide variety of musical instruments from ordinary and quirky components-including a license plate, an antique metal cigar box, or a hubcap. Most of the instruments discussed are either plucked-string instruments or percussive instruments (as wind and bowed-string instruments are less forgiving of imprecise components). The directions are detailed and well-illustrated. For any handmade instruments which require or have an option for electronic amplification, detailed directions are given, accompanied by well-photographed examples. An appendix gives detailed illustrations and patterns for proper fretboard spacing. One note for Kindle readers: Every page of the book is illustrated, with text overlaying the graphics. Since the book would be of little value without the graphics, the Kindle edition offers each page in graphic format. Since this would result in impossibly tiny text in portrait mode, the pages are flipped 90 into landscape mode, and split into two sections. This can make following text on two-column pages complicated, requiring flipping forward, back, then forward again to complete the page. Also, many can comfortably hold a six-inch Kindle in a single hand in the normal (portrait) orientation; Kindles are surprisingly awkward when held sideways (landscape!) One final Kindle-specific note. This is likely not an issue on the larger 9-inch Kindle, but on the standard 6-inch model, even in landscape mode, the text is uncomfortably small. All factors considered, if this is a book you plan to purchase, skip the ebook version and go with a physical copy. This book has much of value to a Christian homeschooling audience, but would require several edits. Two handmade guitars involving bedpans as resonators are given names playing off of words not used in polite company. Each name is mentioned two or three times. There is also a (positive) reference to "mojo," and a reference to those who make their own instruments as "subversive." With those caveats duly noted, the remainder of the book would provide a homeschooler who is both musically inclined and has decent craftsmanship skills with hours of fascinating and invigorating challenges. This book came so close to a perfect Biblical Bookshelf rating, but ultimately fell a few words short. It receives three stars.

In The Handmade Music Factory, handyman Mike Orr guides you through the construction of eight unique and imaginative instruments-from a one-string guitar made from a soup can to a hubcap banjo to a stand-up lap steel guitar made from a vintage ironing board. There's no shortage of inspiration to draw upon to create an arsenal of instruments that look good, sound great and deliver some foot-scampin' fun!

From the Back Cover
Are you ready to make eight of the most creative, unique-sounding, handmade instruments you'll find anywhere? In Handmade Music Factory, musician and handyman Mike Orr shows you how to turn ordinary objects like soup cans, cigar boxes, cookie tins, and ironing boards into instruments that are as much fun to make as they are to play. Orr shares his tips and tricks for building ingenious instruments ranging from a one-string washtub bass to a three-string cigar box slide guitar using simple tools and materials. You'll also learn how to build slide, fretted, and steel guitars, electrify your instruments, and assemble an amp using inexpensive parts from the local electronics store. An amazing photo gallery, tidbits of handmade music history, and an overview of some musicians and bands paving the way in this increasingly popular music trend provide a wealth of inspiration for creating your own music-maker. So jump on the bandwagon and get your creative juices flowing. There's no right or wrong when it comes to making your own instruments, just the desire to create music and have fun doing it!

About the Author
Mike Orr is a professional carpenter and owner of Built2Last Guitars. He has designed, built and sold hundreds of instruments. The highlight of his career was when guitar legend Robert Randolph played one of his guitars in front of a live audience. When he is not in the shop, Mike can usually be found touring the music festival circuit in his VW van.

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21 of 21 people found the following review helpful.
Wish I Had This Book Years Ago!
By DanG
Mike Orr and company have assembled an invaluable how-to guide that should be required reading for DIY musicians and budding luthiers alike. I started building cigar box instruments and joined Cigar Box Nation just a couple years ago, and even though you can find a lot of information on the web, I would have loved to have this physical, step-by-step instruction manual back then to help demystify the art & craft of instrument building. It would have provided me with some much-needed knowledge and saved me some time, money and frustration. Even after building a handful of my own instruments, it's still a thrill to flip through this book. It's beautifully photographed, the layout is logical and eye-appealing, and seeing all of the the gallery shots of the unique instruments in this book is wonderful, both as pure art appreciation and as inspiration for my next builds. This book is a welcome addition to the "proper" lutherie books by Irving Sloane and Dan Erlewine sitting on my shelf, and I highly recommend it to anyone even remotely interested in building their own handmade instruments.

13 of 13 people found the following review helpful.
Amazing book to help you get started and to motivate you
By R. Keil
I received this book for Christmas. Prior to this I had built some ukulele kits from Grizzly (lots of fun at first but then the challenge goes away and you need to move forward)Grizzly H3125 Ukulele Kit but had never built anything 'totally from scratch'. The book is full of great pictures, has some great advice, and shows you all the simple steps to get you started. I built a couple cigar box guitars and had great fun.
My 14 year old daughter liked what she was seeing and so together we designed and built a banjo ukulele based on ideas from the book. We used a tambourine acquired at a thrift shop as the body, some left over flooring material from a kitchen remodel for the neck, and basically followed the directions in this book. Now we have a ukulele all hand-made that sounds suprisingly good for less than $10. It was a great experience. Awesome.

11 of 11 people found the following review helpful.
GREAT HOMEMADE INSTRUMENT RESOURCE!
By Stephen A. Mathews
Mike Orr has put together a great book for building cigar box guitars, diddley bows, stompboxes and washtub basses and other homemade instruments. This book is extremely layman friendly, you only need a few simple tools (which Mr Orr lists for each project)and not an extensive workshop to build these instruments. Many items used in the construction can be obtained for free or for minimal cost. You don't need to be an experienced woodworker (I am not!) to handle any of these projects. Having assembled a dozen or so cigar box guitars, a dozen or so cigar box ukes, and a half dozen didley bows I can attest that this book will save you a lot of trial and error. It also has a number of great suggestions for personalizing your finished project. If you have never heard any of these instruments played, you will be surprised at the quality of sound. The best reward of all is being able to play an instrument that you've manufactured with your own two hands. Great color illustrations and patterns to assist you. If you want to improve your stock or if you wish to embark on building your first instrument, THIS IS THE RESOURCE!

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Senin, 12 April 2010

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Think Twice: Harnessing the Power of Counterintuition, by Michael J. Mauboussin

No matter your field, industry, or specialty, as a leader you make a series of crucial decisions every single day. And the harsh truth is that the majority of decisions—no matter how good the intentions behind them—are mismanaged, resulting in a huge toll on organizations, the people they employ, and even the people they serve.

So why is it so hard to make sound decisions? In Think Twice, now in paperback, Michael Mauboussin argues that we often fall victim to simplified mental routines that prevent us from coping with the complex realities inherent in important judgment calls. Yet these cognitive errors are preventable.

In this engaging book, Mauboussin shows us how to recognize and avoid common mental missteps. These include misunderstanding cause-and-effect linkages, not considering enough alternative possibilities in making a decision, and relying too much on experts.

Through vivid stories, the author presents memorable rules for avoiding each error and explains how to recognize when you should “think twice”—questioning your reasoning and adopting decision-making strategies that are far more effective, even if they seem counterintuitive. Armed with this awareness, you'll soon begin making sounder judgment calls that benefit (rather than hurt) your organization.

  • Sales Rank: #229335 in Books
  • Published on: 2012-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .75" l, .44 pounds
  • Binding: Paperback
  • 224 pages

Review
“… a fine pick for any business collection strong in management issues, and addresses some of the predecessors of bad mistakes.” — Bookwatch

About the Author
Michael J. Mauboussin is chief investment strategist at Legg Mason Capital Management. He is also an adjunct professor of finance at Columbia Business School. Learn more at www.michaelmauboussin.com.

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71 of 71 people found the following review helpful.
Upgrade your decision making process
By Stephen Kawaja
Think Twice represents the next step in Mauboussin's beneficial quest to help all of us identify the mistakes we make and provide the tools to fix them. It takes many of Mauboussin's past ideas, condenses a vast array of additional sources, and puts them in a manifesto on how to dodge the pitfalls of poor decision making. Mauboussin has managed to write a book that is interesting for everyone. Deceptively short at 143 pages (with 33 pages of notes and references), I recommend readers slow their pace to digest this book and internalize the tools and countless real world examples used to clarify and illustrate.

"No one wakes up thinking, "I am going to make bad decisions today." Yet we all make them." Think Twice outlines eight common mistakes, tries to help the reader recognize these in context, then provide ideas on how to mitigate your own tendency to repeat these same mistakes. Certain ideas recur throughout the text, including using data and models to inform decisions; viewing many real world situations as complex adaptive systems; as well as appreciating context and luck.

Each chapter focuses on one key error we make:
+Chapter 1: Viewing our problem as unique. Others have usually faced the same decisions we face and we can learn from their results to get to the right answer - for example in corporate M&A, you can look at how other similar deals have performed.
+Chapter 2: We fail to consider enough alternative options under pressure because we have models in our head that oversimplify the world; usually that helps us make quick decisions but often it causes us to leave out alternative choices which could be better. Incentives and unconscious anchoring on irrelevant information contribute to this tunnel vision.
+Chapter 3: An uncritical reliance on experts. Experts are people like us and are subject to all the same bias and error. While this has been covered by Cialdini and others, Mauboussin focuses on the solution - "computers and collectives remain underutilized guides for decision making." We see this idea now in practice in the development of prediction markets for Hollywood movies to who will be the next Senator from North Dakota.
+Chapter 4: "Situation influences our decisions enormously." We all underestimate how much we are influenced not only by others, but by our own feelings.
+Chapter 5: Cause and effect reasoning fails when systems are complex because the whole is greater than the sum of the parts. Focusing on why individuals in a system do something - an investor in the market, an ant in a colony, or birds in a flock - does not help explain how the entire system performs. Understand the rules that govern the entire system, rather than the rules that drive the individual participants.
+Chapter 6: We try to apply general rules in contexts that are not appropriate. In real life, decisions are specific. As Mauboussin says, "it depends".
+Chapter 7: Small changes in a system (or an input) can lead to a large change in output. We mess things up by assuming the same input will always have the same output. One quotation I particularly liked in this chapter was from Peter Bernstein - "Consequences are more important than probabilities."
+Chapter 8: We forget about reversion to the mean. "Any system that combines skill and luck will revert to the mean over time." Ignoring this makes people think they are special and that the rules of probability don't apply to them. This is reinforced by the "halo effect" - when someone is doing well in any field, people and the press lionize that individual and report on the multitude of genius they have ...but when they revert to the mean, all of a sudden that same person is viewed as incompetent. Mauboussin's own colleague Bill Miller faced this same perception cycle, and emerged with a halo in 2009.

Mauboussin concludes the book by summarizing an effective action plan - to put it simply, Mauboussin admonishes us to Think Twice before we make a serious decision to ensure we don't fall victim to any of these pernicious errors.

138 of 144 people found the following review helpful.
Think Twice Because Your Habits and Mind Tend Not To Let You
By James East
Over the millennia, our brains have been developed to be the most energy conserving part of our bodies due, in part, that our distant forefathers had to make quick decisions of friend or foe. Therefore, we rarely take time, and energy, to think or rethink things over. If one does not spend a little extra time to think thru your important decisions, you tend to be on "Thin Ice". For example, take another look at the title of the book, did you notice the graphical cryptogram ?!

This book is about mistakes and bad decisions of smart people, business executives, doctors, and others. Many of the reasons all these people and professions make bad decisions, in part, is that we all have a similar framework of having the same mental software basics. This can and does lead to false beliefs and bad decisions due to mental traps as the author describes. These default false beliefs that we all have inherited prevent clear thinking. As the author continues to describe throughout the book, "To make good decisions, you frequently must think twice - and that is something our minds would rather not do."

The book is a nice enjoyable read, very clear with the necessary psychology jargon, and has a very nice set of notes to follow-up on if you would like. All in, though short, this book comes highly recommended for any bookshelf on how to make better decisions.

As a side note: I have pointed out in other reviews, of other books below, that are in the same genre and which are some of my favorites. So if you like this somewhat introductory book, then you may be interested in more hidden traps our minds fall into, or other social influences, I provide the following recommendations:

Influence: The Psychology of Persuasion (polymath classic), by Robert B. Cialdini
How We Know What Isn't So (very good), by Thomas Gilovich
Mean Markets and Lizard Brains (Hidden Gem), by Terry Burnham
The Psychology of Judgment and Decision Making (Classic), by Scott Plous
Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger (Charlie's Insights) by Peter D. Kaufman.
Good reading and enjoy :)

38 of 38 people found the following review helpful.
A useful contribution to this genre
By Camber
There are now many good books available on why we make errors in judgment and decision making. This book represents Michael Mauboussin's contribution to this genre, and I think he has done a good job in pulling together a lot of information from a diverse range of credible sources. The information he presents has broad application, though he has a slight emphasis on business and investing applications (his own area of specialization). The book is also a fairly easy and quick read.

Perhaps the best way to describe the content of the book is to summarize the key points, roughly in the order they appear in the book:

(1) "Think twice" to avoid errors in judgment and decision making, especially in situations where stakes are high.

(2) Learn from the experiences of others in similar situations (making use of statistics when possible), rather than relying only on your own perspective, and don't be excessively optimistic about expecting to beat the odds.

(3) Beware of anecdotal information, since it can paint a biased picture. Related to this point, don't infer patterns which don't exist, especially when the available data is limited, and avoid the bias of favoring evidence which supports your beliefs while ignoring contradictory evidence (deliberately seek dissenting opinions if necessary).

(4) Avoid making decisions while at an emotional extreme (stress, anger, fear, anxiety, greed, euphoria, grief, etc.).

(5) Beware of how incentives, situational pressures, and the way choices are presented may consciously or subconsciously affect behavior and shape decisions.

(6) In areas where the track record of "experts" is poor (eg, in dealing with complex systems), rely on "the wisdom of crowds" instead. Such crowds will generally perform better when their members are capable and genuinely diverse, and if dissent is tolerated (otherwise the crowd will be prone to groupthink).

(7) Use intuition where appropriate (eg, stable linear systems with clear feedback), but recognize its limitations otherwise (eg, when dealing with complex systems).

(8) Avoid overspecialization, aiming to have enough generalist background to draw on diverse sources of information.

(9) Make appropriate use of the power of information technology.

(10) Overcome inertia by asking "If we did not do this already, would we, knowing what we now know, go into it?"

(11) Because complex systems have emergent properties (the whole is more than the sum of the parts), avoid oversimplifying them with reductionistic models (simulation models are often helpful), remember that the behavior of components is affected by the context of the system, and beware of unintended consequences when manipulating such systems.

(12) Remember that correlation doesn't necessarily indicate causality.

(13) Remember that the behavior of some systems involves nonlinearities and thresholds (bifurcations, instabilities, phase transitions, etc.) which can result in a large quantitative change or a qualitative change in system behavior.

(14) When dealing with systems involving a high level of uncertainty, rather than betting on a particular outcome, consider the full range of possible outcomes, and employ strategies which mitigate downside risks while capturing upside potential.

(15) Because of uncertainties and heterogeneities, luck often plays a role in success or failure, so consider process as much as outcomes and don't overestimate the role of skill (or lack thereof). A useful test of how much difference skill makes in a particular situation is to ask how easy it is to lose on purpose.

(16) Remember that luck tends to even out over time, so expect outcomes to often "revert to the mean" (eventually move close to the average). But this isn't always the case, since outliers can also occur, especially when positive feedback processes are involved (eg, in systems in which components come to coordinate their behavior); in a business context, remember to make a good first impression.

(17) Make use of checklists to help ensure that important things aren't forgotten.

(18) To scrutinize decisions, perform a "premortem" examination. This involves assuming that your decision hasn't worked out, coming up with plausible explanations for the failure, and then revising the decision accordingly to improve the likelihood of a better outcome.

While this book doesn't really present any new material, I still found it to be a good resource, so I recommend it. After all, this subject matter is important and practical, yet also counterintuitive, so it makes sense to read many books to help these insights sink in and actually change one's habits.

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Industrial Ecology and Sustainable Engineering, by Braden R. Allenby T. E. Graedel

  • Published on: 2009-10-09
  • Binding: Hardcover

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Jumat, 02 April 2010

[U614.Ebook] Free PDF The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

Free PDF The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

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The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly



The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

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The Feminine Matrix of Sex and Gender in Classical Athens, by Kate Gilhuly

In The Feminine Matrix of Sex and Gender in Classical Athens, Kate Gilhuly explores the relationship between the prostitute, the wife, and the ritual performer in Athenian literature. She suggests that these three roles formed a symbolic continuum that served as an alternative to a binary conception of gender in classical Athens and provided a framework for assessing both masculine and feminine civic behavior. Grounded in close readings of four texts, "Against Neaira," Plato's Symposium, Xenophon's Symposium, and Aristophanes' Lysistrata, this book draws upon observations from gender studies and the history of sexuality in ancient Greece to illuminate the relevance of these representations of women to civic behavior, pederasty, philosophy, and politics. In these original readings, Gilhuly casts a new light on the complexity of the classical Athenian sex/gender system, demonstrating how various and even opposing strategies worked together to articulate different facets of the Athenian subject.

  • Sales Rank: #5701222 in Books
  • Published on: 2008-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .63" w x 5.98" l, .90 pounds
  • Binding: Hardcover
  • 222 pages

Review
"Gilhuly has written an admirable study of the interplay between the three female roles of prostitute, the wife, and the ritual agent in late fifth and fourth-century Athenian literature." --BMCR

About the Author
Kate Gilhuly is assistant professor in the department of classical studies at Wellesley College.

Most helpful customer reviews

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Must Read
By Edson Neto
If you are interested in the topics of gender and sexuality this is a must read book, with a very inovative aproach about the way athenians constructed and manipulated their gender dinamics.

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